
Gospel of Judas
An early Christian revelation dialogue preserved in Coptic, known from the manuscript called Codex Tchacos.
Scripture, grimoires, literature, historical sources, modern writings, and methods for evaluating claims.
Featured from this topicGospel of Judas
An early Christian revelation dialogue preserved in Coptic, known from the manuscript called Codex Tchacos.

The Testament of Solomon is a pseudepigraphal religious narrative in which Solomon questions and commands spirits. It differs from later procedural Solomonic grimoires.

The Key of Solomon is a transmitted family of magical texts concerning preparation, ritual, and ceremonial instruments. It should be distinguished from the five-part Lesser Key of Solomon.

Pseudomonarchia Daemonum is a spirit catalogue associated with Johann Weyer. Its transmission helps explain similarities and differences in the later Ars Goetia.

Collin de Plancy’s Dictionnaire infernal gathered supernatural traditions in a dictionary format. Its 1863 entries and illustrations remain influential in modern depictions of spirits.

Picatrix is the Latin title associated with an influential Arabic work of astral magic. Its cosmological and ritual framework differs from a catalogue of Goetic spirits.

The Corpus Hermeticum is a collection of philosophical religious dialogues concerning mind, the divine, the cosmos, and human knowledge. It should be distinguished from later works marketed as Hermetic teaching.

Job 1–2 presents Satan in a heavenly assembly and in a dispute about Job’s righteousness. The passage should be read before later accounts of Satan’s origins are supplied.

Zechariah 3 presents Satan accusing Joshua the high priest within a vision of judgment and restoration. The scene has a specific religious and literary purpose.

Isaiah 14 addresses the downfall of a ruler through an image of a fallen morning star. Later religious interpretations connect the passage with Lucifer and Satan.

Revelation 12 identifies its dragon with the Devil and Satan. The chapter’s imagery should be read in its apocalyptic narrative before being used to interpret other passages.

Primary sources provide direct evidence for a text, community, or historical setting. Reading them well requires context, precise citations, and comparison with other evidence.