
Mastema
Mastema is a leader of harmful spirits in the Book of Jubilees. His appearances in the stories of Noah, Abraham, and Moses connect temptation, accusation, and hostility with a power that remains subject to divine limits.

Mastema is a leader of harmful spirits in the Book of Jubilees. His appearances in the stories of Noah, Abraham, and Moses connect temptation, accusation, and hostility with a power that remains subject to divine limits.

Anton LaVey’s 1969 book of Satanic philosophy and ritual, foundational to the Church of Satan.

A grimoire is a book or manuscript containing magical knowledge, ritual procedures, charms, conjurations, talismans, spirit catalogues, astrological instructions, prayers, or other techniques intended to produce supernatural or occult effects. The term is most strongly associated with European magic, but scholars use it within a much wider history of magical books and written ritual technologies.

Monotheism and religious dualism concern different questions about ultimate reality. The presence of an adversary does not automatically establish two equal divine principles.

How witchcraft has meant an accusation, a magical practice, and a modern identity, with examples from museums and trial records.

An altar is a designated place or surface used for religious devotion, ritual, offerings, sacred objects, or symbolic focus. Altars occur in many religious traditions, but their forms and meanings vary widely. In modern theistic Satanism an altar may function as a place for Prayer, Ritual, Offerings, meditation, spirit work, or the display of symbols connected with Satan and other beings.

A Goetic marquis with a wolf-like appearance, associated with knowledge and the making or resolution of disputes.

A Goetic duke first appearing as a dromedary, associated with affection, friendship, and knowledge.

The author and religious figure associated with Thelema, The Book of the Law, and a large body of magical instruction.

The founder of the Church of Satan and author of The Satanic Bible and The Satanic Rituals.

Satan is a figure whose meaning has changed substantially across Jewish, Christian, Islamic, literary, esoteric, and modern Satanic contexts. In contemporary theistic Satanism, Satan may be understood as a real deity, spirit, adversary, initiator, or metaphysical intelligence. Those modern interpretations draw on, but are not identical with, the much older history of the word and character.

Baphomet is an occult figure whose history connects the medieval trial of the Knights Templar, nineteenth-century ceremonial symbolism, twentieth-century Satanic iconography, and the modern public imagery of The Satanic Temple. The familiar goat-headed, winged, androgynous figure is not a medieval portrait of a secret Templar god. It was created in the nineteenth century by the French occultist Éliphas…

Prayer is intentional communication addressed to a deity, spirit, sacred power, or ultimate reality. It can include praise, petition, confession, thanksgiving, lament, dedication, silence, repetition, or simple direct speech. In theistic Satanism, prayer usually means addressing Satan or another spiritually real being rather than speaking only to oneself or performing a purely symbolic exercise.

Ceremonial magic uses formally organized ritual actions. Its historical systems combine preparation, symbols, instruments, and accounts of spiritual authority in different ways.

Polytheism involves belief in multiple deities. The existence of several gods does not by itself settle their relationships, moral authority, or the forms of devotion directed toward them.

A religious myth can organize meaning while also receiving literal belief. Literary form, personal interpretation, and historical evidence should be discussed as related but distinct questions.

A modern esoteric society with stated aims of fraternity, comparative study, and investigation of nature and human capacities.

The religious and philosophical tradition associated with Aleister Crowley and The Book of the Law.

The three-chapter revelatory text at the center of Thelema, also titled Liber AL vel Legis.

Agrippa’s Renaissance synthesis of natural, celestial, and religious magic.